My exhibit “Érase una vez en Almería: Decorados, Restos y Paisajes de Cine” (“Once Upon a Time in Almería”) opened last week in Almería, Spain, with a reception and artist talk. The show includes 18 framed prints 24″ x 36″, all images of film sets and locations around the province of Almería, which was the site of hundreds of movie productions throughout the 1960s and 1970s. It was an emotional experience for me to have these photographs exhibited in Almería. The town of Tabernas, where the exhibit was located, is host to three remaining western movie towns and has been […]
Read MoreMy exhibition “Érase una vez en Almería: Decorados, Restos y Paisajes de Cine” (“Once Upon a Time in Almería”) was inaugurated this last weekend in Almería, Spain. The exhibition included 18 framed prints 24″ x 36″, all images of film sets and locations around the province of Almeria, which was the site of hundreds of movie productions primarily in the 1960s and 1970s. The exhibition showed sets built to recreate shootings, constructions where “good, bad and ugly folks” found a shelter and landscapes through where stagecoaches were heading to the unknown. “Mark Parascandola presents his vision of what is left […]
Read More“Érase una vez en Almería: decorados, restos y paisajes del cine” Salón Polivalente de Tabernas. Dias 9, 10 y 11 de octubre de 2015 Diputación de Almería. Instituto de Estudios Almerienses Horario: 11.00 h.-13.00 h y 17.00 h – 20.00 h En los años 60 numerosos directores de cine europeo y americano descubrieron Almería, atraídos por su luz, el peculiar paisaje desértico, y una barata mano de obra. Decenas de películas como Cleopatra, Lawrence de Arabia, Patton, así como varios spaguetti westerns de Sergio Leone, con Clint Eastwood como protagonista, fueron grabados allí. Cuatro años más tarde, los decorados de […]
Read MoreChina is poised to become the largest motion picture market in the world. Entire towns have been devoted to making movies in order to feed the growing demand. And Hollywood studios are teaming up with the Chinese industry on big budget productions. In China Film, photographer Mark Parascandola documents the vast outdoor movie sets around Beijing, Shanghai, and Hengdian, China. The images provide a window into an evolving movie industry and global media culture. China Film Mark Parascandola November 18 – December 19, 2015 Please join us… Meet the Artist Reception Saturday, November 21 5:30 – 7-30 PM FREE Artist […]
Read MoreNaturally Occurring Patterns at All We Art Studio
Featuring Donna Cameron, Mariana Copello, Mark Parascandola
March 27, 2015 – April 12, 2015
New York Times, July 21, 1977 Even after the death of Francisco Franco, the Carabanchel prison in Madrid remained in operation and continued to hold some political prisoners. During the transition to democracy in Spain, the prison became a focus for protests and calls for amnesty for political prisoners, gaining international media attention. More than two decades passed before the prison was finally closed on September 11, 1998. Read more in the Carabanchel book available here
Read MoreLa Chanca: Living on the Margin, an exhibition of photographs by Mark Parascandola, will be on exhibit at Studio 1469 1469 Harvard St NW REAR Washington, DC October 10-25, 2014 with a Public Reception on Friday, October 10th, 6:30 – 8:30 pm. Read more …
Read MoreLa Chanca: Living on the Margin An exhibition of photographs by Mark Parascandola Studio 1469 1469 Harvard St NW REAR Washington, DC October 10-25, 2014 Public Reception: Friday, October 10th, 6:30 – 8:30 pm Artist Talk: Saturday, October 18th, 6:30 – 8:30 pm Gallery Hours: Fridays and Saturdays, 11:00 am – 6:00 pm. Also by appointment. Studio 1469 with Dot Projects + Artwork is thrilled to present new photographic work from local visual artist Mark Parascandola, in his first solo exhibition with the gallery. The exhibition will feature approximately ten prints from the artist’s current project, La Chanca: Living on […]
Read MorePhotographer and art writer Pat Padua recently reviewed my Carabanchel book for DCist. The article includes an interview about the book and my dual life as a photographer/epidemiologist. Padua writes: “Parascandola’s new book documents this decay and the colorful tags, which suggest a change in the pattern of human behavior from one in which freedoms are taken away, to one in which freedom becomes an institution’s destruction.” Read the full article here.
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